Voice; Bb clarinet (also Bb bass cl.); cello
1996-1997 – 40mn
Ensemble Accroche-Note : Françoise Kubler : voice; Armand Angster : clarinet; Walter Grimmer : cello / Selections from PPS recorded live by Othon Schneider – Auditorium France 3 Alsace, Festival Musica 1997, Strasbourg – September 20, 1997
Words
- I. Nous vous informons que cet arbre est mort [solo cello]
- II. Again
The warmth of the lone candle in the center
Radiates cold comfort
I lie silent in the mild liquid
Ear suctioned to the soft porcelain
Nose fingering asphyxiation
Breath slows
Body stiffens
As pellets roll from the icy metal to break
The surface with a solid pop
Eavesdropping
A world echoes beneath my tapping fingernails
Concentrating
The indistinguishable distant
Tones of my breath
Unable to dry my tongue I snuff
The candle and leave the sunken
World behind again - III. Rising
The cat rests
Gently pressing his backbone to my stomach
Across the room
The window pane reflects the luke yellow
Bulb floating
Thick musty crimson
Touches my nostrils which stretch with curiosity
The pastiness breaks
Yielding to a warm sauce
A minty inhalation
Casually crawls my thigh
I place the cat on the tile
Rising - IV. Where? (à Thermos Malling et Bob Log III)
I don’t know where…
I put it in my pocket…
I wanted to take it somewhere…
I don’t know which pocket…
I put it in my damned pocket…
Because I wanted to take it somewhere…
But I don’t know which pocket…
And I don’t know where. - V. What?
He was unable to hear the pounding ondo
He focsly onthophing
Why am I cold?
Is the window closed?
I know I closed it.
He was unabto hear tepondit onth door.
He focused onthy lophing
My feet are so cold.
What’s that?
… But wood swells, so it creaks.
He was unable to hear the pounding on the door.
He focused onthy lophing
Did I close it?
God it’s so cold.
My fingers are so cold.
He was unable to hear the pounding on the door
He focused on the telephone’s ring.
He advanced slowly and picked up the receiver
Only to hear a dial tone.
It’s the stairs. Is it the stairs?
That’s a foot… that’s a footstep.
What? - VI. Sound
A golden spiderweb is breathing
Beside the pale yellow clouded glass
My feet knock against one another
To the rhythm of
A metal machine locking
The bottle caps on
The austere transparent characters
In a cold factory
Cold repetitive
Efficiency
Luscious blocks of metal slamming against one another
The wooden blocks of a child
Who refuses to build
Lusting only for the noise
Lust for rhythm
The safety of sound - VII. Eyesting
Sure
Sure
Mother’s fat face – sure
Fat face – fat
You’re swollen child
You’re fat
Fat fly
Squashed can’t fly
Fly
Fly
Fly
Fy
Fya
Fire
Fire! Mist sweeps smouldering fog
Blaze devours carpet devours carpet
Devours lampshade the fever choking
Charred walls wood dead blue flowing
Blue orange river swallowing the ceiling
Shrivelling ceiling Danger! Fire!
Eyesting eyesting eyesting… - VIII. Pit
Lounging
I attach my eyes to a blade
In the ceiling fan above me
Like in a car
Trying to fool myself into immobility
The waltz seduces me
I squeeze my eyes shut
Knocking my chest with my chin
A drop of saliva
Propulsed
Into
My
Belly
I eat another cherry and suck the pit - IX. Enjoy (I.B.)
Quiet colorless one
Wouldn’t you taste this fucking sweet second
For your thoughts to turn into white acid
Wouldn’t you feel like
You could beat to death
Any unknown face
You cross along the promenade
And enjoy - X. Ouvert ou mis-clos [bass clarinet & cello]
- XI. Fingernails
The shock of a hopping television screen
Stirs me.
My eyes fix the swinging image,
Swelling with the unfocused glow,
Swinging back to black, surrounding me.
My eyes center on the scorched shrivelling flesh.
The unfocused, unsought glow now
Seeps into my inflated melting eyes.
I see my hand rise.
Unattached skin, scarlet soaked
Beneath uneven fingernails… - XII. Me
My fingertips burn white
From my grasp of the bottle
As my copper eyes
Hold the amphibian claws
Searching the small green stalks
Of his forest
Just beyond the cascade of glass
Covering his bloated torso
My fingertips a pale green
Now as I petrify my lungs
I watch the foreign red spill
Steaming on the petit forest
Beneath me - XIII. 21st Century Housewife
Take twenty of best glasses
Lie in center of any room in house
Placing ten glasses beside each arm
Using an upward stroke,
Keeping arm as straight as possible,
Forcefully toss one glass directly to ceiling.
Repeat until all twenty glasses
Have been shattered